Wang Tianshou is a white cloud. communist. People's family in Muer Town, Chongqing. Born on March 7, 1940. He graduated from the Department of electrical engineering of Sichuan University (former Chengdu Institute of Technology) in 1969. From 1969 to 71, he worked in Qionglai 7854 military reclamation farm; from 1971 to 1978, he worked in wusheng agricultural machinery factory. Worked as a foundry, Turner, fitter, forge, mechanic, electrician, technician. From 1978 to 1983, he worked in Nanchong electric machinery factory as equipment section chief, engineer and director of scientific research office. In 1983, he was transferred to the Transportation Bureau of Shunqing District of Nanchong City as chief engineer and deputy director. After retiring in 2000, the author began painting for leisure. He is now a member of Nanchong Artists Association, a lifelong calligrapher and painter of China International Academy of calligraphy and painting, and a member of UNESCO (China) International Painting and Calligraphy Association. He is a lifelong member of China Senior calligraphers and Painters Association, a consultant of China International Artists Association, an academician of the Chinese Academy of culture, a member of the National Federation of famous calligraphers and painters, and a member of China Yanhuang Art Association. He is a senior researcher in calligraphy and painting of China International Modern Art Research Center, vice president of the painting and Calligraphy Academy of China Poetry Federation and a special researcher of calligraphy and painting. President of the Chinese Painting Academy.
His works have been included in brilliant journey, monument art 49-09, masterpieces, harmonious China, outstanding calligraphers and painters, century wind, 30 years of Chinese fine arts, Chinese celebrities and artistic life, "China's brilliance", "Chinese talents", "special issue of China's report on culture", "Chinese artists to know in one's life", "dictionary of Chinese calligraphy and painting", "collection guide of contemporary Chinese art", "contemporary Chinese quintessence masters", "approaching art masters", "national soul", "40 years of Chinese literature and art", "Ode to the Great China", "inheritance and Transcendence - model figures in Contemporary Art Circles", etc, "International outstanding Chinese artists", "2015 moving Chinese art figures", "300 poems handed down", etc. Selected works of his own have been included in the series of monographs of Chinese famous artists handed down from generation to generation and special issue of China's most charming artists.
[Landscape of heaven and earth]
Author: Wang Tianshou (original)
I retired at the age of 60 and wrote the novel ordinary life for leisure. In computer school Wang Ma five strokes, two years typing society, the novel also wrote nearly a million words, so in the starting point of the online trial. Upload to the thirteenth time, can not be transmitted, the display "illegal characters.". However, it does not indicate that those characters are illegal characters, so it is difficult to modify them. If you can't get rid of it, you should abandon it. Turn to landscape painting for leisure. Therefore, he searched the ancient and modern landscape painting theory and read it.
For example, Zong Bing's preface to landscape painting, Jing Hao's brushwork, Wang Wei's Shan Shui Jue and Shan Shui Lun, Han Zhe's Shan Shui Chun Quan Ji, Fang Xun's Jing Shan Ju Hua Lun, Zheng Ji's Wang Ji's dream residence painting, Dong Qichang's painting Zen chamber essays, Shi Tao's painting quotations and so on, can be said to have made great efforts. The argument is impartial, the details of the painting can be touched, quite easy to learn.. But we still can't draw after reading. What's the art. It takes time either to learn from others or to learn from others. Self study needs its own method. When we were old enough to come to painting, we had already read thousands of books and traveled thousands of miles. We were talented. But the image thinking is poor, that is, "there is no painting in the heart". We don't have the time and interest to learn how to think in images. For example, Shi Tao's "one stroke technique" is fixed in the Tao's "life two, two to three, three to all things", but we do not know how to draw two strokes!
So we want to find a way to make up for the lack of image thinking. Guo Shu washed the silk and left traces, and Zhang Daqian splashed ink and color, which were all methods to help image thinking. In addition, the method of landscape painting is based on nature. He found a method which was named "splash brush painting method" where his predecessors could not find it. His method is the natural creation, so it is called "heaven and earth landscape".
The landscape of heaven and earth is the creation of heaven and earth. It imitates the shape of mountains and rivers, and creates mountains and rivers on paper. It's not sketching from life, nor is it a draft of mountains. We have no time and opportunity to write. It is a method of imitating nature to create mountains and rivers. It is a method of imitating nature to create mountains and rivers.
So let's first look at how nature creates landscapes: nature "creates landscapes" not intentionally, but at will and "brownstone.". Think of the chaos in the beginning, a drop of molten slurry rolled with water vapor, rolling and surging, smoky, rotating along the road. There are a few different drops in the solution, which are mixed and held together. For a long time, the gas slurry gradually separated, the surface of the slurry solidified, seven holes and eight orifices, floating and sinking with the red wave. After a long time, we can pide heaven and earth. Water and gas condensation and dust mixing, settling in the gully, is "dust". For a long time, the water is clear and the mud is formed. The earth's orifices are like palaces. The sun's essence and the moon's brilliance are pregnant with all things. For a long time, the sky is clear and the earth is turbid. Everything is born. And meteorites are frequent, pided and reorganized. Therefore, the sky tilts to the northwest, the earth is not satisfied with the southeast, and the mountains and rivers are initially determined. And frequent earthquakes, landslides and ground fissures, slurry spray and coagulation. The earth orifices change frequently, with different peaks protruding, shifting mountains and falling into the sea. After a long time, it will be decided. Who decided in advance for such an artifact? Because of its randomness, the rivers and mountains are more delicate and varied. When Zhang Daqian realized this, he did not splash ink and paint at will. Daqian splashed ink and color in his own style, but he did not "splash pen". Therefore, Yu's method is to "splash pen". It can also be described as a splash of strokes. Zhang Daqian splashed ink and color, but did not splash pen, so it is said that predecessors arrived but did not arrive. The method of "splashing pen" is to use big pen, to be dispirited and dispirited. So the heart movement, determine the brushwork, determine the painting, the shape of the desire. The tacit understanding of nature is the same as Tao. Grasp the tube and pe into all things, wave a hair and sweep thousands of miles, although closed eyes, but also no harm, tilt the moment. If you want to do it, you can make dozens of posts. Then, when he was calm and calm, he sat in the studio and felt as if he was in a state of desolation. So he hung the painting on the wall and sat in front of him. Take a fine pen to pursue the shape of the mountains and rivers. These two methods have large degree of freedom and high frequency. At first, my elbow and wrist ache, my pen trembled heavily, and I didn't listen. Adhere to ten years and eight years, no elbow, no wrist, no pen, no ink, to the pen, free and easy, arbitrary. Only at this time, can we really feel what Zong Bing said about landscape painting: "what is Yu Fu? It's just a free spirit. God's smooth, familiar how first. Mountains and rivers are beautiful in shape. The benevolent enjoy the mountain and the wise enjoy the water. Therefore, the good deeds of later generations should follow the ancient laws. Then according to Wang Weizhi's painting decision: sit and watch its state, observe the weather, and distinguish the turbid. The court of the host and guest is fixed, and the majesty of the mountains is listed.
Where there is a road, there are trees; where there is no bank, there is an ancient ferry; where there is a water break, there are smoke trees; where the water is wide, sail; and where the forest is dense, there are dwellings. The ancient trees near the rock have broken roots and twined vines; on the Bank of flowing stones, there are strange and water marks. In the East, West, North and south, Wan Er is at present; in spring, summer, autumn and winter, he was born in his writing. When the water is first paved, it should be avoided to be a floating mountain; when the road is uneven, do not make a continuous road. The main peak should be towering, and the guest mountain should be running. The village has several trees to form a forest, and the branches should hold the body; the cliffs merge into one water and the waterfall falls, and the spring does not flow disorderly. The ferry should be quiet and the pedestrian should be sparse. The bridge for boating should be high, while the fishing boat for fishermen should be low. Among the precipitous cliffs, there is a strange wood; where the cliffs are craggy, there is no way out. Yuanxiu and Yunrong hand in hand, distant days total water color cross light. When the road is in danger, the plank road can be safe here. It is suitable for high willows to reflect people's homes on flat ground; it is also known as Qishan lined Pavilion in famous mountain temples. When I write inkstone by myself, I sometimes play tricks. The years are long and long. In this way, the ancient meaning is quiet. Forest secluded place, can repair villa, distant mountain, when now tall buildings. Ferry, bridge has been erected, Pinghu, flying passenger ships. Under the bridge, from time to time, you can see the speedboat, beside the forest and spring, most of which are pleasure boats. But see deep mountain Tibetan temple, only beautiful scenery, visitors. The painter, the culture also. There should be a record of the times and keep pace with the times. When this is the time, the body is in it, the heart is in it, the intention is to visit the mountains and rivers, and the God is in it. No pen, no ink, do as you like. It is a show of mountains and rivers. Although there is no such place in the world, it can be seen, traveled and inhabited. Combining the nature of heaven and earth and the purpose of the whole culture, it can be regarded as one method, which is called "splashing brush painting method". Its shape is like natural landscape, so it is called "landscape painting of heaven and earth". There is a law in landscape painting, but there is no fixed method. No difficulty, no amount. Jialing mountains and waters are formed by Li sixun's period of the moon, and Wu Daozi's one night and one night, both of them are wonderful. It is not difficult to separate them from each other. Li Fan's brush and ink are dense, while Wang Mi's brush and ink are sparse. Each of them is extremely interesting, not to say how much. The art of painting is so wonderful that people can create their own environment according to their own ideas, so there is no fixed method. It's not true that there is painting method without painting theory, and it is also not true that there is painting theory without painting interest. There is no fixed method in painting, but things have common sense. Physics is constant, and its dynamic and static changes are interesting. Out of the pen, it's wonderful. The method of splashing strokes is in line with the natural principle of nature, which can be used for thousands of rivers and mountains.
Every painting works, Kung Fu everywhere, everywhere is law. After success, but feel a piece of chemical machine, is the ultimate. But not from Xuan rotten, and get this insipid natural, there is no it also. The essence of painting lies in its beauty. Wonderful is the feeling of human common beauty. Chinese painting, broad and profound, one method, one style. Thirty six chaps, eighteen deions, either learning one of them or creating them by ourselves, can be regarded as one style; each of them is excellent. There is no fixed method for painting. If you can't, you can't. It is difficult to achieve perfection without qualification. In ancient times, Chinese painting has six Essentials: first, Qi. Qi, with the shape of the pen, take the image without doubt. Second, rhyme. Rhyme, hidden dew standing form, ready instrument is not vulgar. Third, thinking. If you think about it, you should take it in frustration, but you should concentrate on it. Fourth, scenery. Scenery, the system of time to use, search wonderful and create novelty. The fifth is pen. The author, although in accordance with the law, the use of flexibility, not quality is not Hua, such as flying. Six is ink. Ink, high and low halo light, grade shallow deep, the color of the text is natural, it seems not to use pen Those who have these six dharmas are also gods. If the six methods can be applied, they should belong to "one method". It's what you can do. Without his own painting method, he knows the six methods, but he doesn't know what to say.
The way of painting matters is that "the intention is prior to writing". "Meaning" is the meaning of pen. The meaning of the pen is just the rhyme of character. The author thinks that the writing style is fantastic, and the pen is heavy and strong; the intention is incisive and fluent; the intention is strong, and the pen garden is full; the intention is pure and elegant, and the pen is simple and light. What is the meaning of a brush must be determined first. To put pen to paper, we must first have a general idea of "layout". It's easy to think about the general idea in advance. If you have a general idea, then you have an idea in advance. In the future, there is a draft of the "guide", which is more relaxed and pleasant. Just like "Miss tour guide" taking you on a tour of mountains and rivers, even if there are thousands of strokes, you can only treat them as thousands of cliffs and gullies. You can enjoy your heart and eyes, and you can enjoy yourself freely. You can enjoy the scenery on paper. Painting is just a matter of mind. It is: when people get old, everything stops, and feelings and mountains and rivers blend together. Nature is born in nature and returns to nature with infinite happiness.
The development of art is pluralistic, not unitary. Unlike science and technology, the advanced ones eliminate the backward ones. The development of art is superimposed and persified. The same is true of the development of Chinese painting. The painting method of traditional Chinese painting is not "experienced a simple, complex, simple historical process of development and change." It has a simple, complex, simple and perse development process. It is not "to complete the exploration of various painting systems to the vast and subtle, and finally return to the pursuit of simple attention and pure purification of painting itself." Instead, it has completed the exploration of various painting systems to the vast and subtle, and produced the pursuit of simple attention and pure purification of painting itself. It is not "from craftsman's painting to painter's painting and then to literati's painting", but with craftsman's painting, painter's painting and literati's painting are developed. There is no comparability between different styles of paintings, and it is impossible to cover each other. Because painting is the artist's personality self-expression, it is difficult for later generations to surpass the height reached by the predecessors, which is why the famous painting has been handed down for thousands of years.